Las óleos de todo CERUTI, Giacomo
Choice ID Image  Painting (From A to Z)       Details 
5992 Annunciation klj  Annunciation klj   c. 1644 Oil on canvas, 74,3 x 54,6 cm Ferens Art Gallery, Hull
28923 Boy with a Basket of Fish  Boy with a Basket of Fish   mk65 Oil on canvas 22 1/16x28 3/4in Pitti,
5988 Boy with a Basket  Boy with a Basket   c. 1745 Oil on canvas, 130 x 95 cm Pinacoteca di Brera, Milan
6004 Cardinal Richelieu mjkh  Cardinal Richelieu mjkh   c. 1637 OiI on canvas, 260 x 178 cm National Gallery, London
5989 Evening at the Piazza jj  Evening at the Piazza jj   c. 1730 Oil on canvas, 210 x 298 cm Museo Civico d'Arte Antica, Palazzo Madama, Turin
5993 Ex Voto  Ex Voto   1662 Oil on canvas, 165 x 229 cm Mus??e du Louvre, Paris
5995 King Louis XIII kj  King Louis XIII kj   1655 Oil on canvas, 108 x 86 cm Museo del Prado, Madrid
6001 Portrait of a Man kjg  Portrait of a Man kjg   1650 Oil on canvas, 91 x 72 cm Mus??e du Louvre, Paris
6000 Portrait of Bishop Jean-Pierre Camus ,mnk  Portrait of Bishop Jean-Pierre Camus ,mnk   1643 Oil on canvas, 73,2 x 59,4 cm Museum voor Schone Kunsten, Ghent
5994 Portrait of Henri Groulart klh  Portrait of Henri Groulart klh   1654 Oil on canvas, 92,5 x 75,5 cm Museum of Fine Arts, Budapest
5999 Portrait of Omer Talon jbhj  Portrait of Omer Talon jbhj   1649 Oil on canvas, 225 x 161,6 cm National Gallery of Art, Washington
6002 Portrait of Robert Arnauld d'Andilly lkhk  Portrait of Robert Arnauld d'Andilly lkhk   1667 Oil on canvas, 78 x 64 cm Mus??e du Louvre, Paris
6007 Still-Life with a Skull jg  Still-Life with a Skull jg   Oil on panel, 28 x 37 cm Mus??e de Tess??, Le Mans
51219 Still-Life with Hen, Onion and Pot  Still-Life with Hen, Onion and Pot   1750s Oil on canvas
45523 Style life with Salami  Style life with Salami   mk186 around 1750 Milans, Pinacoteca di Brera
5991 The Annunciation kljk  The Annunciation kljk   Apart from Vouet, Champaigne was the most important painter active in Paris in the middle years of the 17th century. He was born and trained in Brussels. He arrived in Paris in 1621. Throughout his career he made many official commissions, for monasteries, for the Church, and for Louis XIII. He collaborated with Nicolas Poussin in decorating the Luxembourg Palace, then worked for the queen mother, Marie de Medicis, for Louis XIII, and after 1635 primarily for the king's chief minister, Cardinal Armand Richelieu, for whom he decorated the Palais Royal, the dome of the Sorbonne, and other buildings. His art has not been studied in depth until recently, and has undergone radical reassessment: instead of being seen as an exponent of dry Classicism, he is now seen to epitomize the whole epoch. As a portraitist, his vivid depictions of Cardinal Richelieu show how he was able to seize on the essential characteristics of the autocrat, while his portraits of other, now unidentifiable contemporaries are much more sympathetic. In the first part of his career, as a painter of religious pictures, he executed a number of large altarpieces that shows his Flemish origin. This is especially true of such Rubens-inspired works as the Adoration of the Shepherds in the Wallace Collection, London. Later in life, Champaigne changed his art dramatically when he came under the influence of the Jansenist movement. His paralysed daughter was miraculously cured in the Jansenist nunnery of Port-Royal, and to mark the event Champaigne painted his celebrated but untypical Ex-Voto (Louvre, Paris). Champaigne's art was much more varied than is usually thought, and his achievement spans almost fifty years, from the mid-1620s to his death in 1674. He was one of the fourteen founder-members of the Academy in 1648.
5998 The Miracles of the Penitent St Mary jhj  The Miracles of the Penitent St Mary jhj   1656 Oil on canvas, 219 x 336 cm Mus??e du Louvre, Paris
5996 The Penitent Magdalen jgh  The Penitent Magdalen jgh   Oil on canvas, 115,5 x 87 cm Museum of Fine Arts, Houston
6003 The Presentation of the Temple kjgj  The Presentation of the Temple kjgj   1648 Oil on canvas, 257 x 197 cm Mus??es Royaux des Beaux-Arts, Brussels
6006 The Supper at Emmaus khk  The Supper at Emmaus khk   Oil on canvas, 217 x 226 cm Museum voor Schone Kunsten, Ghent
6005 Triple Portrait of Richelieu kjj  Triple Portrait of Richelieu kjj   c. 1640 Oil on canvas, 58 x 72 cm National Gallery, London
CERUTI, Giacomo
Italian Painter, 1698-1767 Italian painter. He was one of a group of artists working in Bergamo and Brescia who observed reality with an unusual freshness and directness. He painted religious subjects and portraits but was most distinguished as a painter of genre and low-life scenes. These included many pictures of beggars and vagabonds ( pitocchi), hence his nickname 'il Pitocchetto'. He married in Milan in 1717 but settled in Brescia in 1721. In 1723 he received a horse in payment for three altarpieces and four frescoes for the parish church of Rino di Sonico; they were mediocre works executed in an unadventurous blend of Lombard and Venetian traditions derived from contemporary Venetian painters working in Brescia. Ceruti's early portraits and genre scenes are less conventional and more intensely felt; in 1724 he signed and dated the strikingly naturalistic portrait of Giovanni Maria Fenaroli



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